How do you think Armand feels at the end of the story. Why, or why not. Chopin handles closings as well as any writer. Her father died a in train accident when she was only four years old, and young Kate was brought up in a household with her mother and her great-grandmother, who descended from French-Creole pioneers.
The child is at first not recognized as a substitute, but certain characteristics point to the fact that it is not really the natural child. Armand finds out that in order to expunge the guilt, he would have to expunge himself.
The question of the appetite of the child is introduced: Louis to live with her mother. Chopin thus tempts the reader with a possible way of resolving the conflict—one that widens the cleft between appearance and reality on the plot level because it seems to show further that folktale solutions are untenable, that their effectivity is only appearance.
A prince, on the other hand—especially one not syncretized with the hero—need have no particular features at all.
It has a voracious appetite—often drinking the mother dry—and it develops physically in unexpected ways, e. Her father died when she was only four years old, which left her mother and grandmother to raise, and shape her desires and ideologies.
Hearing Voices, Reading Stories. Is this typical of Kate Chopin. With blackness, the half-female nature attributed to the baby has also moved to Armand. When he frowned she trembled, but loved him. The Valmondes were childless, and they took in the toddler and raised her as their own child.
Petry, Alice Hall ed. But such stories do occur and the only requirement that normally has to be met is that the reader must be given suitable justification for the disappointment of the usual expectation.
But everything works out. Since he is clearly identified as the villain he could be punished, e. The two collections of short stories she published, Bayou Folk and A Night in Acadie, solidified her growing reputation as an important writer.
One day when the prince happens to come down to the kitchen and gets a look at the beautiful girl, he stops in the middle of the staircase as if his shoes were nailed down. The final irony emerges in the last lines of the story when Armand and the reader discover his true heritage.
Did she grow up with slaves in the house. She and her baby are never seen again. How did she become a legend. The American Woman In the late s, women had greater access to higher education, but often found it difficult to obtain jobs.
The child is, of course, not a changeling, and the problem cannot be gotten rid of in this manner. Elizabeth Cady Stanton and Susan B.
Even if it is to be an anti-fairytale there remain other expectations that have been raised by the fairytale framework and not yet fulfilled. Into an established, ostensibly secure system she came as a child apparently without a past.
Namelessness connotes not only femaleness but also blackness in antebellum society, where white masters can deprive black slaves of their names. Look at my hair, it is brown and my eyes are gray, Armand you know they are gray.
She is trying to convey a message to the reader. Creoles are white people descended from early French and Spanish settlers, or people of mixed French or Spanish and Black descent.
The finding of this letter reveals to the reader the deeper consequences of decisions made based on prejudice and what others may think. By the early s, Chopin was regularly publishing her stories in popular American magazines, including the Atlantic and Vogue.
She has done nothing, and it is clear that Armand has perpetrated a villainy against her. The features are put to use for the purposes of the short story, but their presence raises expectations in the reader that are potentially incompatible with those of a realistic short story.
In “Désirée’s Baby,” Chopin appears to be writing about the tragic octoroon, female—until the dénouement reveals her actual, unconventional theme. For more than half a century, “Désirée’s Baby” () kept Kate Chopin’s name alive.
Armand Aubigny in Desiree's Baby, by Kate Chopin "Desiree's Baby", by Kate Chopin, is a short story that deals with love, prejudice and rejection, including some racist traits. The story develops in a period of time characterized by separation of races where whites were rich and superior and blacks were inferior and mostly slaves.
The Themes of Love, Prejudice and rejection in Desiree's Baby by Kate Chopin PAGES 2. WORDS 1, View Full Essay. More essays like this: kate chopin, desirees baby. Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University. Exactly what I needed. -. Kate Chopin's Short Stories Themes.
Buy Study Guide. he harbors too strong of a racial prejudice to remain in love with Désirée.
Désirée is unfortunate enough to appear on the wrong side of both class and race, and her desperate suicide and the revelation of her innocence provide a clear rejection of the prejudices inherent in. Get an answer for 'Why does it matter that Desiree's background is unknown, and how does that connect to Zandrine?' and find homework help for other Desiree's Baby questions at eNotes.
Analysis of Desiree Baby by Kate Chopin - “Desiree Baby” by Kate Chopin is a very thought provoking short story that deals with racism, prejudice, and love. The story takes place in southern Louisiana, where Armand, a prominent landowner, marries a girl of unknown origin named Desiree.The themes of love prejudice and rejection in desirees baby by kate chopin